YAMAS! arrives at the Camden Fringe on the 3rd August, ready to explore Vic Holt’s personal journey: the good and the bad. Learn more about what this fascinating show has to offer:
1. How did you decide which stories were included in YAMAS! and which were left out?
That was probably the hardest part! I started with far more material than would ever fit into an hour. I chose the stories that made me laugh the most, but also the ones that captured the themes at the heart of YAMAS!—identity, adventure, taking chances and finding humour in life’s unexpected twists. If a story was funny but didn’t help take the audience on that journey, it had to go. There are still plenty of stories waiting in the wings though, so who knows… they may find their way into a future show!
2. As YAMAS! is a one-woman show, which is incredibly challenging. What has been the easiest/hardest part of acting independently?
The easiest part is that I don’t have to remember anyone else’s lines! The hardest part is that you’re completely responsible for everything. There’s no one on stage to rescue you if you forget something, and no one to share the energy with. At the same time, that’s what makes it so exciting. It’s just me and the audience, and every performance feels like we’re discovering the story together.
3. It mentions that you meet ‘eccentric characters’. How do you balance swapping roles within the show?
I love creating characters, so changing between them has become one of my favourite parts of performing. Rather than relying on elaborate costumes, I use changes in physicality, voice, rhythm and energy to help the audience know exactly who’s speaking. Many of the characters are inspired by real people I’ve met over the years, and they’re all wonderfully distinctive in their own way. It’s amazing how just a small change in posture, expression or accent can transform you into someone completely different.
4. How do you feel your work as a child psychiatrist influences your current role as a performer?
Working as a child psychiatrist has taught me to listen carefully and to understand that everyone has a story behind their behaviour. That curiosity about people definitely feeds into my writing and performance. Comedy works best when it’s rooted in truth, and my job has given me a real appreciation of how funny, resilient and wonderfully complicated people can be.
5. Identity seems to be a key theme in YAMAS! How has your identity continued to develop through the creation of this production?
Creating YAMAS! has made me realise that I don’t have to choose between different parts of who I am. I grew up in Cyprus, have lived in England and the Netherlands, and I’ve often felt as though I belonged everywhere and nowhere at the same time. Looking back, I’ve realised those different cultures, experiences and perspectives are exactly what make my stories unique. Instead of trying to fit into one box, I’ve learned to celebrate the whole, slightly chaotic mixture.
6. What has been the most enjoyable part of creating YAMAS!?
Without doubt, hearing people laugh and then, a few moments later, seeing them unexpectedly moved. That’s exactly what I hoped the show would do. I’ve also loved collaborating with such generous, supportive people who have helped shape YAMAS! from the page to the stage. Although it’s a one-woman show, it’s reminded me that theatre is always a team effort.
YAMAS! plays at Theatro Technis from the 3rd August to the 4th August. Many thanks to Vic Holt for answering our questions. Book here!
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