A stirring Caribbean drama exploring family ties in a changing society is running at the Kiln Theatre until 4 July.
Driftwood is produced by the Royal Shakespeare Company in association with the Kiln Theatre. This play has recently transferred from Stratford-upon-Avon to the Kiln, where London audiences can enjoy this production.
The show’s theme is refreshing, as it takes the audience on an intimate journey to Port of Spain in Trinidad and Tobago, around the time when the nation was about to gain its independence from the United Kingdom. While not in an obvious way, the tumultuous political landscape plays a role in the drama, despite most of the action happening inside ALMA, a gentlemen’s venue in Port of Spain.
The tensions between local Trinidadians and the influences of the United States and the United Kingdom are what fuel the strongest aspects of the play. These tensions reach an oddly quiet peak during a game of cards that had the audience on edge.
Special praise goes to Ellen Thomas, who gives a wonderful performance as Pearl. She manages to portray Pearl’s anger, sadness, and guilt with real depth. She does this exceptionally well during the final scenes of the play, where she shines opposite Martins Imhangbe, who plays Diamond.
The set design welcomes the audience to ALMA, which has a cosy vibe that would have been accentuated by the occasional presence of customers (ensemble).
As a warning, the play does touch some topics that may not be suitable for younger audiences, such as incest.
Driftwood will continue its run at the Kiln Theatre until 4 July so do try to see it if you have the opportunity.
Gonzalo
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